![]() I was able to recognize that asymmetrical sections signaled the re-transitioning phase of the movement because it introduced the feeling of tension that I had during the opening of the piece. I understood that a wide variety of themes in the development helped to emphasize a seemingly simple exposition of the piece. The change of piece’s texture helped me to appreciate the complexity of its interval leaps and ever-changing dynamics. Exposition development was followed by a rather lyrical transition that created a feeling of calmness (“Allegro” par. I immensely enjoyed the moment when the tension created by repeated motive was suddenly stopped. It grew louder with the simultaneous increase in the syncopation of interval leaps thereby surprising a listener and making them feel the dynamic of rhythmical movement. The theme was extended by a musical section that introduced a slight tension. I enjoyed the simplicity of the opening that was underscored by the use of arpeggios and a melody that was generally monophonic (“Eine Kleine Nachtmusik” par. The musicians performed the first movement to Eine kleine Nachtmusik that is associated with a unique mix of unity and variety that helps a listener to feel the transition from seemingly simplistic exposition development to recapitulation recap. It is an extremely graceful piece for a string quartet with double bass or chamber orchestra (“Listening Guide” par. Eine kleine Nachtmusik is a serenade in G major that was composed in 1787. The piece that I particularly enjoyed was Allegro from Eine kleine Nachtmusik by Wolfgang Amadeus Mozart. 128 by David Uber, Bridge by Michael Forbes, Rondeau by Jean Joseph Mouret, Take Me Out to the Ballgame by Albert von Tilzer, and Malaguena by Ernesto Lecuona. The following pieces were performed after the opening: March of a Marionette by Charles Gounod, And Can it Be? by Charles Wesley, Allegro from Eine kleine Nachtmusik by Wolfgang Amadeus Mozart, Earl of Oxford’s March by William Byrd, Little Russian March by Peter Ilyich Tchaikovsky, Vaudeville, Op. The arrangement was excellent and set the tone for the whole concert. The piece was lively and contained a lot of interesting lines for performers to play. ![]() The performance started with Achieved is the Glorious Work by George Frideric Handel that was arranged by Michael Forbes.
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